Finland based blackened death metal warriors AEVANGELIST have posted "THE ORIGIN AND END OF ALL: PAIN OF THE FALLEN", a track from the bands anticipated new release "NIGHTMARE CATCHER", due to be unleashed 1/2020 (release date T.B.A.) via HELLS HEADBANGERS.
AEVANGELIST unleashed "REVELATION OF THE DEVOURING VOID/CEREMONY OF THE AVENGING CURSE", (EP), 4/7/2019 via HELLS HEADBANGERS,
FROM HELLS HEADBANGERS:
Today, the reborn Ævangelist reveal the nearly-18-minute new track "The Origin and End of All: Pain of the Fallen" at Hells Headbangers' official YouTube channel. The track hails from the band's forthcoming rebirth album, Nightmarecatcher, which will be released by Hells Headbangers during the first quarter of 2020 on CD format.
Now residing in Finland, Ævangelist has been in existence since 2010 and was created/authored by Matron Thorn. Joining Thorn on Nightmarecatcher is ex-Anorexia Nervosa vocalist Stéphane Gerbaud. As such, this is to be considered the official lineup of the true Ævangelist.
AEVANGELIST unleashed "REVELATION OF THE DEVOURING VOID/CEREMONY OF THE AVENGING CURSE", (EP), 4/7/2019 via HELLS HEADBANGERS,
FROM HELLS HEADBANGERS:
Today, the reborn Ævangelist reveal the nearly-18-minute new track "The Origin and End of All: Pain of the Fallen" at Hells Headbangers' official YouTube channel. The track hails from the band's forthcoming rebirth album, Nightmarecatcher, which will be released by Hells Headbangers during the first quarter of 2020 on CD format.
Now residing in Finland, Ævangelist has been in existence since 2010 and was created/authored by Matron Thorn. Joining Thorn on Nightmarecatcher is ex-Anorexia Nervosa vocalist Stéphane Gerbaud. As such, this is to be considered the official lineup of the true Ævangelist.
Ever restless, Nightmarecatcher sees Matron Thorn exploring an
exquisitely lurking dread, patiently simmering his psychedelic death
metal delirium to a hallucinogenic boil, bringing forth a miasmic
meltdown. Daunting and daring to say the very least, Nightmarecatcher is
one epic 53-minute composition comprising three equally epic chapters,
all threaded together with unsettling ease. Also uniquely, the album is
Ævangelist's first proper live studio recording, created entirely in the
recording space of Oranssi Pazuzu and drums recorded in the recording
space of Barathrum & Sielunvihollinen. Not for nothing is the album
graced with malevolent &; mesmerizing artwork courtesy of the
masterful Jef Whitehead.
Form meeting content, then, Nightmarecatcher is the sound Ævangelist at is most naked. No less dense and multi-layered than Matron Thorn's vast body of work under this moniker, the shimmering Nightmarecatcher stretches Ævangelist to a skeletal breaking point, a gross 'n' garish carcass on which Thorn dangles flickering afterimages of disconnection. Exposed and rotten yet no less resilient, this sonic iteration of Ævangelist retains Thorn's characteristically nightmarish alchemy, but disposes of obfuscation and obtuseness; after recent muddling events, only a clearly aimed fist of hazy horror accomplishes the directive. Rising to the challenge, Gerbaud's truly disturbing vocals ritualistically recite a litany of horrors both tangible and otherworldly, leading the listener into the craggiest catacombs of the self.
Atmosphere reigns supreme, as it always has in Ævangelist, and comprehension of its infinitely writhing tendrils begins in the title itself. Nightmarecatcher is the grand rebirth of the true Ævangelist - past, present, future, all ripped asunder and reinvigorated in search of The Truth.
VIDEO BELOW: AEVANGELIST: "THE ORIGIN AND END OF ALL: PAIN OF THE FALLEN" (VIA YOU TUBE, COURTESY OF HELLS HEADBANGERS):
Thanks-Stay Metal, Stay Brutal-\m/ -l-
Form meeting content, then, Nightmarecatcher is the sound Ævangelist at is most naked. No less dense and multi-layered than Matron Thorn's vast body of work under this moniker, the shimmering Nightmarecatcher stretches Ævangelist to a skeletal breaking point, a gross 'n' garish carcass on which Thorn dangles flickering afterimages of disconnection. Exposed and rotten yet no less resilient, this sonic iteration of Ævangelist retains Thorn's characteristically nightmarish alchemy, but disposes of obfuscation and obtuseness; after recent muddling events, only a clearly aimed fist of hazy horror accomplishes the directive. Rising to the challenge, Gerbaud's truly disturbing vocals ritualistically recite a litany of horrors both tangible and otherworldly, leading the listener into the craggiest catacombs of the self.
Atmosphere reigns supreme, as it always has in Ævangelist, and comprehension of its infinitely writhing tendrils begins in the title itself. Nightmarecatcher is the grand rebirth of the true Ævangelist - past, present, future, all ripped asunder and reinvigorated in search of The Truth.
VIDEO BELOW: AEVANGELIST: "THE ORIGIN AND END OF ALL: PAIN OF THE FALLEN" (VIA YOU TUBE, COURTESY OF HELLS HEADBANGERS):
Thanks-Stay Metal, Stay Brutal-\m/ -l-