"DIMETIME":-6th ANNIVERSARY of DARRELL "DIMEBAG" ABBOTT's DEATH/30th ANNIVERSARY OF JOHN LENNON's DEATH

BTW, RIP to Elizabeth Edwards, wife of presidential candidate John Edwards who passed away yesterday after a valiant battle with cancer: http://en.wikipedia.org/wiki/Elizabeth_Edwards





CURRENTLY BLASTING: PANTERA "The Will To Survive":
FROM PANTERA MYSPACE: "With all his greatness and accomplishments on the guitar, Dime will be missed more for his giving personality, charisma, caring for others, love and most of all his HEART!! Twice as big as the state of TEXAS!!!!!!!!!!!! Dime gave it all every day to each and every one of us and our lives have forever been hollowed without him...Thanks to all of you for reaching out to us in this time of our immeasurable loss. REST IN PEACE BROTHER DIME!!!!!!"


                                                                                                                                                             FROM ITP: (EDITORS NOTE/EDITORIAL): THREE TRAGIC ANNIVERSARIES (this week): Today marks the 30th anniversary of ex BEATLE John Lennon's death and the 6th anniversary of DARRELL "DIMEBAG" ABBOTT's (PANTERA/DAMAGEPLAN guitarist) death as both were senselessly murdered by psychopaths, on the same date, 24 years apart. December 13th marks the anniversary of DEATH/CONTROL DENIED mastermind Chuck Schuldiners death to cancer in 2001. ITP's author grew up a mile and 1/5 north of John Lennon's residence and went to high school two blocks away from the Dakota (the former residence of John and Yoko Lennon), even got a brief hello/ wave out of John Lennon's son Sean, and had seen Yoko Ono (John's widow) walking down the street when I was just a teen, knowing even back then not to bother them, but just a wave. Both Yoko, John and Sean were very nice people. ITP's author was ten, in grade school, and living on the upper west side of Manhattan at the time of Lennon's death, we spoke openly about Lennon's message in school that next day. Please have a black tooth grin, hail both Lennon and Dimebag and stop by "Strawberry Fields" (Central Park-across Central Park West in Central Park, East of the DAKOTA) to meditate and remember John Lennon. At a difficult time in ITP's authors life, I'm currently homeless, as U.S. President Barack Obama increases the unemployment benefits for Americans, (unemployment benefits are INCREASED-12-13 months and no new taxes-thankfully) now is the time for a revolution and to give peace a chance.
Two days ago, ITP's author had a panic attack in Manhattan on my way home from visiting family around the Times Square area, I would like to thank the generous New Yorkers (Manhantanites RULE) for helping me.
Take some time to remember both of these metal and rock legends, as the world 'aint the same without them, "they say we want a revolution", let's do it.
FROM YOKO ONO VIA SCOTSMAN.COM:
John Lennon's widow Yoko Ono gave a heartfelt plea for the former Beatle to be remembered "with deep love and respect" on 30th anniversary of his murder today.
As she spoke yesterday of her continued love for the star, she said: "On this tragic anniversary, please join me in remembering John with deep love and respect.

"In his short-lived life of 40 years, he has given so much to the world.

"The world

was lucky to have known him. We still learn so much from him today. John, I love you."

Ono, who was beside Lennon when he was gunned down in New York 30 years ago today, will lead the tributes as millions of people pay their respects to the Imagine singer.

She will perform at a charity concert she has organized in Japan called Dream Power John Lennon Super Live.

Jerry Goldman from the Beatles Story, a museum dedicated to the band, was behind the European Peace Monument coming to Liverpool.

He said: "Although the European Peace Monument has only been on public display for just over a month, it's already taken on a global significance of its own.

"People from all over the world are coming to the city to pay their respects and consider Lennon's message of peace through his music.

"The city is very excited that we finally have a focal point at which to remember Lennon and look forward to a vigil that will reach out to people the world over."

The vigil of remembrance will last from 8pm to 9:30pm.

Lennon was shot dead outside the Dakota building where the couple lived in Manhattan on 8 December, 1980, two months after his 40th birthday.

Fans on the other side of the Atlantic are expected to pay their respects at the Strawberry Fields memorial garden in Central Park, directly opposite the spot where he was shot by crazed fan Mark Chapman.
FROM CHARLOTTE OBSERVER:
NEW YORK John Lennon's fans are celebrating his life by visiting New York City's Strawberry Fields, an urban oasis that's endorsed by 121 countries as a "Garden of Peace."

Wednesday is the 30th anniversary of Lennon's murder outside his Manhattan apartment building.

Admirers played his music and placed flowers on a mosaic named for his song "Imagine."

Rolling Stone has just released Lennon's final interview. He talked to the magazine on Dec. 5, 1980, three days before his death.

Lennon slammed his critics, saying they want "dead heroes." But he expressed optimism about his future and discussed trying to be a good father.


Read more: http://www.charlotteobserver.com/2010/12/08/1896017/fans-honor-lennon-at-nys-strawberry.html#ixzz17XZl1NWO
FROM THE NEW YORK TIMES:
Long After Death, Lennon Remains an Inspiration

John Lennon would have turned 70 on Saturday, and the anniversary has occasioned a flood of events and releases to commemorate the songwriter and his work. In a way, Lennon’s stature — the reason for the celebrations — makes some of them seem beside the point. Since he was murdered outside the Dakota, 30 years ago in December, Lennon has remained a powerful presence in the culture, both for his songwriting and performances as a Beatle and for his post-Beatles life as a peace crusader, born-again feminist and alternately strident and affecting solo artist. Do we really need to be reminded about John Lennon?

Don Hogan Charles/The New York Times

John Lennon and Yoko Ono in 1972.

Bob Gruen

John Lennon on Liberty Island in October 1974. A new documentary, “LENNONYC,” takes a look at his years in New York.

Perhaps not, but Lennon himself would have been the first to recognize, and run with, the commercial potential of a big, even-numbered anniversary. He built his 1969 peace campaign, after all, on the notion that since the press was following his every move anyway, he might as well use the attention to put across his message. He described his Bed-In for Peace as “an advertisement.”

Among the many projects competing for Lennon fans’ attention is Sam Taylor-Wood’s feature film, “Nowhere Boy,” which looks at Lennon’s adolescence and his complicated, often conflicted relationship with his Aunt Mimi, who raised him, and with his more footloose mother, Julia.

The Paley Center for Media (formerly the Museum of Television and Radio), meanwhile, offers an ambitious schedule of Lennon and Beatles films, as well as a photo exhibition, through Dec. 31. Numerous concert tributes will celebrate Lennon too, including a concert by the surviving members of his first band, the Quarry Men, at the Society for Ethical Culture on Saturday night.

But the two most compelling offerings are “LENNONYC,” a comprehensive documentary about Lennon’s New York years — his final decade, or virtually his entire post-Beatles career — by Michael Epstein, and an expansive CD reissue series that was overseen by Yoko Ono, Lennon’s widow, that includes the eight studio albums he made between “Plastic Ono Band,” in 1970, and “Double Fantasy” and the unfinished “Milk and Honey,” in 1980.

The albums are available separately and in a lavish “Signature Box,” which also includes a book, an art print and an otherwise unavailable disc of previously unissued works, among them an incendiary outtake from “God,” Lennon’s declaration of independence from the Beatles and everything else his fans considered sacred.

Ms. Ono has also released “Double Fantasy/Stripped Down,” a radical remix of the 1980 album in which her elimination of overdubs and effects yields a tight, punchy version of the set, in which the vocals are clear and crisp. (The two-CD set includes the original mix as well)

“LENNONYC,” which will be shown at Rumsey Playfield in Central Park on Saturday night at 7, and on PBS as part of the “American Masters” series, on Nov. 22, is in some ways a perfect companion to the remastered CDs. Though its purview is not only musical — it also touches on Lennon’s political involvements, his four-year deportation battle and the ups and downs of his marriage with Ms. Ono — Lennon’s post-Beatles musical development is the glue that holds the story together.

Mostly, the music is presented in a way that will be new to all but veteran bootleg collectors: nearly every song in the show is heard in an intimate acoustic demo or a studio outtake. Musicians who collaborated with Lennon — members of his early 1970s backing band, Elephant’s Memory, as well as studio pros like the guitarists Earl Slick and Hugh McCracken, and the drummer Andy Newmark, who worked with him later — offer insights into Lennon’s composing and recording process, in which he often rewrote lyrics and changed arrangements as he went along.

Lennon’s own between-takes comments, provided to the production by Ms. Ono, also tell us plenty about his keen sensitivity to the relationship between words and music.

“Just lay back,” he tells the band during the sessions for “Stepping Out,” admonishing them not to speed up after the bridge. “He’s just stepping out, he’s not rushing.” During the recording of “Watching the Wheels” he says he wants the music to feel “a little laid-back because he’s watching the wheels, he’s not driving the damn truck,” but warns his players against making it as laconic as “I Am the Walrus.”

Lennon’s music, for the most part, was an autobiography in progress: except for “Some Time in New York City,” his album of mostly ephemeral, quickly dashed-off political broadsides — it was no coincidence that he packaged it to look like a newspaper — his subject was usually himself. And that may be why, when you watch “LENNONYC,” you almost wish it had been included as a bonus DVD in the “Signature Box.”

Not surprisingly, the reissues are already the subject of intense debate among Beatles obsessives. At issue, mainly, is whether Ms. Ono made the right decision this time — she returned to the original mixes, prepared by Lennon himself — or the last time she undertook a catalog overhaul, between 2000 and 2005, when she produced entirely new mixes from the multitrack session tapes.

It’s a tough question. Lennon’s own mixes have a clear historic value, and they sound better here than in their previous (late 1980s) CD incarnations. But Ms. Ono’s remixes offered considerable sonic improvements. Lennon’s voice comes through with greater clarity and presence, and instrumental textures are more transparent too. But Ms. Ono also made editorial decisions — some as innocuous as leaving in a count-in; others more drastic, like focusing on previously buried instruments or severely editing the live tracks on “Some Time in New York City” — that have outraged purists.

Perhaps she should have done what she did with “Double Fantasy/Stripped Down”: offer each album as a twofer, with both the original mix and her own reconsideration, based, presumably, on how she thought Lennon might revisit the material using today’s technology.
FROM CBSNEWS.COM:
John Lennon complained that his critics were just interested in "dead heroes" and said he had "plenty of time" to accomplish some of his life goals in his last interview three days before he was gunned down.

Rolling Stone magazine released its final interview with the former Beatle on Wednesday, the 30th anniversary of his death, to The Associated Press.

The magazine goes on sale on Friday.

While brief excerpts of Jonathan Cott's interview with Lennon were released for a 1980 Rolling Stone cover story days after Lennon's death, this is the first time the entire interview has been published.

"His words are totally joyous, and vibrant, and hopeful, and subversive and fearless," said Cott in an interview on Tuesday. "He didn't mince words."

Lennon fans around the globe — from Liverpool, England, to New York to Tokyo — are marking the sombre 30th anniversary of the former Beatle's death on Wednesday with tributes, vigils and charity concerts.

"On this tragic anniversary, please join me in remembering John with deep love and respect," his widow, Yoko Ono, said in a statement. "In his short-lived life of 40 years, he has given so much to the world. The world was lucky to have known him. We still learn so much from him today."

Ono will take part in a charity concert she has organized in Japan. In New York City, fans are leaving flowers, candles and notes at the Strawberry Fields memorial garden in Central Park, and gathering outside the nearby Dakota apartment building, where he lived and was shot.

In his hometown of Liverpool, some of Lennon's former Quarrymen bandmates will perform at a tribute concert, while local musicians have planned a candlelight vigil in Chavasse Park at a peace monument dedicated to him earlier this year.

Lennon saves some of his harshest words for critics who were perennially disappointed with the musician's path, in both music and in his life, after leaving the Beatles.

"These critics with the illusions they've created about artists — it's like idol worship," Lennon said. "They only like people when they're on their way up ... I cannot be on the way up again.

"What they want is dead heroes, like Sid Vicious and James Dean. I'm not interesting in being a dead [expletive] hero…. So forget 'em, forget 'em."

He also predicted that Bruce Springsteen, then hailed as rock's bright future, would endure the same critical barbs: "And God help Bruce Springsteen when they decide he's no longer God….They'll turn on him, and I hope he survives it."

But Lennon also talked about trying to be a good father to his son Sean, learning how to relate to a child [he admitted he wasn't good at play] and spoke of his strong bond with his wife, Yoko Ono: "I've selected to work with … only two people: Paul McCartney and Yoko Ono…. That ain't bad picking."

At 40, he was also reflective of what he had accomplished so far in life and exploring life's themes, and remained committed to his goal of peace and love on Earth.

"I'm not claiming divinity. I've never claimed purity of soul. I've never claimed to have the answers to life. I only put out songs and answer questions as honestly as I can…. But I still believe in peace, love and understanding."
'Miracle' tape hadn't degraded

Cott interviewed Lennon at his apartment and at his record studio. The interview was originally planned for a cover story for Lennon's and Ono's upcoming album, Double Fantasy, but in the rush to put out a story after Lennon was shot to death by Mark David Chapman, only snippets were used.

Cott said he never went back to the three hours worth of tapes until a few months ago when he was cleaning out his closet.

"On a strip of magnetic tape, it was sort of a miracle that first of all, the tape had not degraded after 30 years," he said. "All of this sudden, this guy's voice, totally alive … just made me feel so inspired that I felt that I should really transcribe the whole thing."

Cott said he was struck by how much he was thinking about his life and mortality.

"There were a lot of strange consideration of where he was and what he felt like sort of in the middle of his journey," Cott said. "I think it was like a mid-life meditation, I was struck by that."

The magazine also included an essay by Ono recalling her final days with her husband.
FROM LEMMY KILMISTER and VIA NME and BLABBERMOUTH.NET:
MOTÖRHEAD mainman Lemmy Kilmister recently spoke to NME.com about how he was inspired by THE BEATLES, and in particular John Lennon. Lemmy fondly described Lennon as, "the asshole of the band" and went on to say how THE BEATLES made him feel like he could change the world.

"THE BEATLES were massive. They changed the world," he said. "The generation that was with me, which includes me, we genuinely believed we could make the world better and we failed because the world's so full of shit."


Read more: http://www.cbc.ca/arts/music/story/2010/12/08/lennon-death-anniversary.html#ixzz17Y6Q98Ze
FROM BLABBERMOUTH.NET: (BTW, Nathan Gale was delusional and did NOT know DIMEBAG):
Today (Wednesday, December 8) marks the six-year anniversary of the death of PANTERA and DAMAGEPLAN guitarist "Dimebag" Darrell Abbott. Abbott, one of the most beloved and respected musicians in hard rock, was shot onstage during a DAMAGEPLAN concert at the Alrosa Villa club in Columbus, Ohio by a 25-year-old ex-Marine named Nathan Gale. Gale murdered a total of four people and wounded three others before being killed himself by police officer James D. Niggemeyer, who arrived on the scene minutes after Gale began his rampage.

According to The Pulse of Radio, Gale seemed to deliberately target Abbott, leading to speculation that the young man, who had a history of mental illness, held a grudge against Abbott and his brother, drummer Vinnie Paul, for the break-up of PANTERA in 2002. Columbus police closed their investigation in October of 2005 without establishing a motive for the shootings.

Abbott and Paul formed PANTERA in the mid-Eighties in Texas. The band recorded four independent albums before their 1990 major label debut, "Cowboys From Hell", introduced a heavier sound and made them a favorite with metal fans. 1994's "Far Beyond Driven" debuted at No. 1 on the Billboard Top 200 without benefit of a commercial hit single.

The group splintered in 2002 following the departure of volatile lead singer Philip Anselmo. Dime and Vinnie, as they were known to their fans, regrouped with DAMAGEPLAN, releasing the band's debut album, "New Found Power", in February of 2004. The group was touring in support of the record at the time of the shootings.

Abbott's death was a devastating blow to the close-knit hard rock and metal community. He was known to his fellow musicians for his hospitality, friendship and partying spirit, and was a legend among fans and peers for his powerful, innovative and unmistakable playing style.

Several of Dime's final projects, including a country-metal album called REBEL MEETS REBEL and a DVD titled "Dimevision - Vol. 1: That's The Fun I Have", were issued in the years following his death by Big Vin Records, a label started by Vinnie Paul. Paul told The Pulse of Radio a while back that activities continue to keep Abbott's memory alive. "It's very important to me to make sure that Dime's legacy lives on forever, and I think without anybody even tryin', it will, you know," he said. "But I just want to make sure that the things that are still here that he was part of, can increase that and just be one more thing that lends credence to his legend, you know."

Vinnie Paul told The Pulse of Radio in early 2004, before Dime's death, that he had the utmost respect for his brother as a musician. "I tell people all the time, he's the most talented person I ever met in my life," he said. "Not just 'cause he's my brother, but it's just, that's how I feel about it. On this DAMAGEPLAN thing, Dime gets out there and rips a solo every night and I can't believe how much of a rush it is just still to hear him get up and play and then hear the crowd start chanting 'Dimebag' and all that. It's a good time, man."

Dime also spoke about his relationship with his brother. "Our brotherhood is a true brotherhood and we both have the same goal," he said. "You know, it wasn't like in somebody else's family — 'Well, Johnny got a A-plus this week, you got a C-minus, up yours,' you know. It was never a competition kind of thing with us, you know, we both had the same goal. And we're like best friends more so than brothers, you know."

Dime and Vinnie Paul were known as two of the hardest-partying rockers around, and Dime told The Pulse of Radio that their motto was "everyone is welcome." "You know, we don't judge people for what kind of music they play or what kind of people they are or what kind of haircut they got, or anything," he said. "We're just into hangin' and cuttin' up, you know, and there's always gonna be a nut to find in somebody, you know. And hey, if they're ever wantin' to hang and have a good time, we're open to it, man, any time, and we're gonna have a good fuckin' time and they don't forget it."

Other musicians on Dimebag:

Corey Taylor (SLIPKNOT): "Every time I hung out with Dime, dude, it was just laughing. I just remember laughing my ass off, 'cause he was just one of the funniest guys, you know. And he was just one of the best dudes, man, and probably one of the best guitar players I've ever seen. Not only live, but just everything, you know. He just made it look fuckin' effortless."

Rob Halford (JUDAS PRIEST) on Abbott's legacy: "His music will live forever, and that's the wonderful thing about what we do as recorded musicians — our music will be around a lot longer than we will. So we have his music to cherish, and he still will be an inspiration to guitar players, as he was with PANTERA and with DAMAGEPLAN. So, you know, we'll miss him dearly."

David Draiman (DISTURBED): "During our second Ozzfest, we were holed up in Dallas for about two or three days … hanging out at Dime's place — it was an eclectic house. There's all kinds of PANTERA memorabilia and Dimebag memorabilia all over the place. But you could never make the mistake of falling asleep at Dime's. He'd wake you up the way he always did: with firecrackers. He'd always set off an entire chain of firecrackers not two inches from my head. One time … Dime took us to a strip club where we all judged a bikini contest. There was never a wrong time in the day for Dime to hit a strip club. … Dime was just this character who was very easy to love. He didn't have a bad bone in his body, and was ready to give you the shirt off his back at all times. It was his mission in life to make sure every single moment you spent with him was the best moment of your life. He was selfless."

Zakk Wylde (BLACK LABEL SOCIETY, OZZY OSBOURNE): "Whenever you were around Dime, there was never a boring moment. He was the coolest guy on the planet. He was an even better person than he was a guitar player, if that's even possible. Whenever me and him would hook up, forget about it, bro. We'd always have to have a spare kidney, liver and pancreas on ice."

Brian Fair (SHADOWS FALL): "Dime seemed to have a real problem with the clock on our tour bus. It all started with his tour manager trying to tell him it was time to leave. … We were having a good old time and Dime didn't want to go to bed. So, as soon as he was told it was time to leave, he grabbed the clock off of the wall and screams at the top of his lungs, 'There is no time!' and he smashed his hand right through it. The clock was made of glass and metal, and shrapnel flew everywhere. He went through three clocks on our bus like that. Anytime anyone tried to tell him it was time to go, he'd destroy the clock. He didn't want to end the party — he wanted it to keep going. We kept replacing the clock because we wanted to see what happened next."

Kerry King (SLAYER): "One thing we were going to do — me and Dime and I think Vince was going to play drums — we were going to do this tune together. They were going in to record the DAMAGEPLAN record, and I said, 'Dime, there's a song we need to do. I've always dug this song, and it always makes me think of you. I think we need to do it.' It was 'Snortin' Whiskey, Drinkin' Cocaine' by Pat Travers. We were all geared up to do it. He's like, 'Well, you know, they're busting my balls for press for the new record.' And I said, 'Well, what are we rushing for, dude? We've got all the time in the world.' And then something like that happens, and the harsh reality is, we could have done it then. It probably wouldn't have been as good as it could have been, but at least it would have been done, 'cause now it'll never get done. Maybe me and Zakk will do it and dedicate it to Dime."

Howard Jones (KILLSWITCH ENGAGE): "He was just a good guy, and he created some songs and some albums that were instrumental in inspiring me and the rest of this band. 'Vulgar Display' was an album that changed me, in a lot of ways. He was a huge part of my life, whether he knew it or not."

Joel Stroetzel (KILLSWITCH ENGAGE): "We were at the Metal Hammer Awards in London, where Dime won the award for best guitarist and threw it into the audience. I was walking by and I see Dimebag and [MÖTLEY CRÜE's] Nikki Sixx sitting on a couch together. Dime yells over to our other guitar player, Adam [Dutkiewicz], and says, 'Hey, you. Get over here.' So we walk over and he tells Adam, 'I haven't seen someone who's as big an asshole as you since Gene Simmons.' Then he hands Adam his bottle of Jack Daniel's. Onstage, Adam's just a nutcase — always jumping around and dancing, wearing short shorts and capes. He's a lunatic and Dime called him on it. It was pretty funny. … I learned to play guitar from old METALLICA, MEGADETH, TESTAMENT and PANTERA riffs. I wouldn't be playing this style of music if it weren't for him."

Vinnie Paul eventually joined a new band called HELLYEAH with members of MUDVAYNE. The album was recorded in the Dallas studio co-owned by Paul and Dime. MUDVAYNE and HELLYEAH singer Chad Gray told The Pulse Of Radio that it was a strange experience to work there. "It was bizarre," he said. "It really bothered me to kind of be there because, you know, there's a lot of greatness that happened in that room but there's a lot of pain that goes along with that. And you see it in Vin, like, going in there the first couple of times, it was hard for him. One night I think we were just kind of standing outside and I'm like, you know, there was just parts of me that kind of wished I wasn't there, because the only way that I wouldn't have been there is if Dime was still around."
FROM LIVING THE AMERICAN NIGHTMARE PRODUCERS/DIRECTORS FACEBOOK:
All the support in the world to the fans, friends, and family of John Lennon and Dimebag Darrell of Pantera. I feel like we should have a movement to make December 8th the official "Sacrifice of Artists & Musicians Day". Do something today to support an artist, let them (know) you care and are one of them. If a broke ass band is coming through your town, be the one that brings them some food, and buy a CD.
FROM VINNIE PAUL ABBOTT (PANTERA/HELL YEAH DRUMMER) VIA BLABBERMOUTH.NET::
Former PANTERA and current HELLYEAH drummer Vinnie Paul Abbott has released the following statement on the six-year anniversary of the death of his brother, PANTERA/DAMAGEPLAN guitarist "Dimebag" Darrell Abbott:

"I wanna thank you all for remembering and celebrating the life of my best friend and brother, Mr. Dimebag Darrell! His spirit and energy is always with us and inspires us to be the best we can be! His legacy lives on bigger than ever, so on this day of sadness let's crank up his tunes, watch his videos, do some blacktooth grins and carry on in his honor! That would put a smile on his face!

"I love and miss you, brother.

"This is one of my best memories on my birthday — March 11, 2004 in Las Vegas — when me and Dime got up and jammed with Sammy Hagar and THE WABORITAS.

"Growing up being huge VAN HALEN and Sammy Hagar fans, this was a huge honor and a blast for both of us. We played 'You Really Got Me' and 'Ain't Talkin Bout Love', which we knew inside out and nailed it, then Sammy yells, 'Dimebag, 'Wild Thing' in the key of E,' and we both looked at each other like, 'Uh, oh oh.' It was a song we have never played... So Sammy leaned over Dime and showed him the three chords and we faked our way through it and it was actually pretty kick-ass...

'It was a dream come true!

"This is a photo [see below] of us havin' some Cabo Wabo tequilla and shootin' the shit backstage after the show!"

Abbott, one of the most beloved and respected musicians in hard rock, was shot onstage during a DAMAGEPLAN concert at the Alrosa Villa club in Columbus, Ohio by a 25-year-old ex-Marine named Nathan Gale. Gale murdered a total of four people and wounded three others before being killed himself by police officer James D. Niggemeyer, who arrived on the scene minutes after Gale began his rampage.






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Thanks-Stay Metal, Stay Brutal-\m/ -l-