Saturday, January 12, 2013

ITP V.013: ONLY ONE PER COFFIN: R.I.P. AARON SWARTZ (DIGITAL PIONEER/ACTIVIST)


Digital pioneer, activist, REDDIT, CREATIVE COMMONS, RSS, DEMAND PROGRESS, ANTI-SOPA/PIPA and CISPA strikes and EFF co-founder AARON SWARTZ committed suicide yesterday in Brooklyn, New York,  SWARTZ was 26.







Swartz stood pending federal trial on computer fraud charges was scheduled to begin next month. In 2011, Swartz was arrested after prosecutors alleged he illegally downloaded millions of scientific journals from JSTOR, an online archive within the Massachusetts Institute of Technology network.

Official Statement from the family and partner of Aaron Swartz: 
Our beloved brother, son, friend, and partner Aaron Swartz hanged himself on Friday in his Brooklyn apartment. We are in shock, and have not yet come to terms with his passing. Aaron’s insatiable curiosity, creativity, and brilliance; his reflexive empathy and capacity for selfless, boundless love; his refusal to accept injustice as inevitable—these gifts made the world, and our lives, far brighter. We’re grateful for our time with him, to those who loved him and stood with him, and to all of those who continue his work for a better world. Aaron’s commitment to social justice was profound, and defined his life. He was instrumental to the defeat of an Internet censorship bill; he fought for a more democratic, open, and accountable political system; and he helped to create, build, and preserve a dizzying range of scholarly projects that extended the scope and accessibility of human knowledge. He used his prodigious skills as a programmer and technologist not to enrich himself but to make the Internet and the world a fairer, better place. His deeply humane writing touched minds and hearts across generations and continents. He earned the friendship of thousands and the respect and support of millions more. Aaron’s death is not simply a personal tragedy. It is the product of a criminal justice system rife with intimidation and prosecutorial overreach. Decisions made by officials in the Massachusetts U.S. Attorney’s office and at MIT contributed to his death. The US Attorney’s office pursued an exceptionally harsh array of charges, carrying potentially over 30 years in prison, to punish an alleged crime that had no victims. Meanwhile, unlike JSTOR, MIT refused to stand up for Aaron and its own community’s most cherished principles. Today, we grieve for the extraordinary and irreplaceable man that we have lost. _____
Aaron is survived by his parents Robert and Susan Swartz, his younger brothers Noah and Ben, and his partner Taren Stinebrickner-Kauffman. 
Aaron’s funeral will be held on Tuesday, January 15 at Central Avenue Synagogue, 874 Central Avenue, Highland Park, Illinois 60035. Further details, including the specific time, will be posted athttp://rememberaaronsw.com, along with announcements about memorial services to be held in other cities in coming weeks. Remembrances of Aaron, as well as donations in his memory, can be submitted athttp://rememberaaronsw.com
Sat, 12th Jan                                                                                                                                                ITP V.013 EDITORS NOTE: I'm really saddened to hear of all of this. Aaron was a digital pioneer whom changed digital technology and revolutionized internet social networking as his work with creative commons and REDDIT was awesome, all of this before 30, now his life has expired. I'm sooo sorry to hear of Aaron's passing. http://lessig.tumblr.com/post/40347463044/prosecutor-as-bully http://rememberaaronsw.tumblr.com/ http://boingboing.net/2013/01/12/rip-aaron-swartz.html VIDEO BELOW: AARON SWARTZ: "HOW WE STOPPED SOPA":  FROM FROM EFF.ORG:
Yesterday Aaron Swartz, a close friend and collaborator of ours, committed suicide. This is a tragic end to a brief and extraordinary life.
Aaron did more than almost anyone to make the Internet a thriving ecosystem for open knowledge, and to keep it that way. His contributions were numerous, and some of them were indispensable. When we asked him in late 2010 for help in stopping COICA, the predecessor to the SOPA and PIPA Internet blacklist bills, he founded an organization called Demand Progress, which mobilized over a million online activists and proved to be an invaluable ally in winning that campaign.
Other projects Aaron worked on included the RSSspecificationsweb.pytor2web, the Open Library, and the Chrome port of HTTPS Everywhere. Aaron helped launch the Creative Commons. He was a former co-founder at Reddit, and a member of the team that made the site successful. His blog was often a delight.
Aaron's eloquent brilliance was mixed with a complicated introversion. He communicated on his own schedule and needed a lot of space to himself, which frustrated some of his collaborators. He was fascinated by the social world around him, but often found it torturous to deal with.
For a long time, Aaron was more comfortable reading books than talking to humans (he once told me something like, "even talking to very smart people is hard, but if I just sit down and read their books, I get their most considered and insightful thoughts condensed in a beautiful and efficient form. I can learn from books faster than I can from talking to the authors."). His passion for the written word, for open knowledge, and his flair for self-promotion, sometimes produced spectacular results, even before the events that proved to be his undoing.
In 2011, Aaron used the MIT campus network to download millions of journal articles from theJSTOR database, allegedly changing his laptop's IP and MAC addresses when necessary to get around blocks put in place by JSTOR and MIT and sneaking into a closet to get a faster connection to the MIT network. For this purported crime, Aaron was facing criminal charges with penalties up to thirty-five years in prison, most seriously for "unauthorized access" to computers under the Computer Fraud and Abuse Act.
If we believe the prosecutor's allegations against him, Aaron had hoped to liberate the millions of scientific and scholarly articles he had downloaded from JSTOR, releasing them so that anyone could read them, or analyze them as a single giant dataset, something Aaron had done before. While his methods were provocative, the goal that Aaron died fighting for — freeing the publicly-funded scientific literature from a publishing system that makes it inaccessible to most of those who paid for it — is one that we should all support.
Moreover, the situation Aaron found himself in highlights the injustice of U.S. computer crime laws, and particularly their punishment regimes. Aaron's act was undoubtedly political activism, and taking such an act in the physical world would, at most, have a meant he faced light penalties akin to trespassing as part of a political protest. Because he used a computer, he instead faced long-term incarceration. This is a disparity that EFF has fought against for years. Yesterday, it had tragic consequences. Lawrence Lessig has called for this tragedy to be a basis for reform of computer crime laws, and the overzealous prosecutors who use them. We agree.
Aaron, we will sorely miss your friendship, and your help in building a better world. May you read in peace.
FROM DEMAND PROGRESS:
We are deeply saddened by the passing of Demand Progress’s Aaron Swartz. Friends and family have issued a statement and created a memorial page, here.  A memorial fund is being organized, and we will post details when they are ready.
A handful of the myriad tributes to Aaron: Cory Doctorow Glenn Greenwald Lawrence Lessig Quinn Norton. 
FROM CREATIVE COMMONS:  As a teenager, Aaron Swartz helped design the Creative Commons licenses. His genius is reflected in RSS, Archive.org, DemandProgress.org, and dozens of other important projects. 
FROM JSTOR: JSTOR, which had stated it did not want to pursue charges against Swartz after he return the articles he had downloaded, posted a statement offering condolences to his family. He was a truly gifted person who made important contributions to the development of the internet and the web from which we all benefit,” JSTOR, or Journal Storage, said in a statement. “The case is one that we ourselves had regretted being drawn into from the outset.


FROM POSTERS ON THE NY TIMES COMMENTS SECTION:

(EB Madison, Wl):
His was not a crusade to make "everything digital...free" nor is that the opinion of many of the informed activists of his (and my) generation. JSTOR and the journals it collects live largely on scholarly articles, many from scholars at public universities or otherwise taxpayer funded research and studies. Like the materials on PACER, these have already been paid for by the general public, and now publishers make millions to charge individuals, universities, and libraries to access the information. He fought to keep people from having to pay for access to information they already owned - it was not entitlement, but a clear-cut sense of right that drove him. He'll be sorely missed. I wish he could have lived to mock them mercilessly, as they so plainly deserve. The real theft occured when the publisher took public research, written by taxpayer-funded professors, and charged the public money for it, without paying the authors. Absurdity, cut short by tragedy. Good work, Aaron. Rest in Peace. Again, a profound misunderstanding of the difference between intellectual property created for profit and royalties, and academic intellectual property most often paid for by the public.


(ADAM, NY):Again, a profound misunderstanding of the difference between intellectual property created for profit and royalties, and academic intellectual property most often paid for by the public The fact is that most of the *creators* of the intellectual property in JSTOR want to share their work with the public for free, but because of a profoundly broken system cannot. Academics and scientists do research that is mostly paid for by the public through grants. Those researchers are then forced to often *pay* publishers to publish their work, transfer the copyright to them (work they did not pay for or create), and they then sell if back to the universities for a profit other academics to read. The *creators* receive no compensation and actually PAY to have their work published.
1) Your tax dollars fund the research.
2) Your tax dollars are used to pay the publishing fees (often thousands of dollars) to for profit publishers.
3) Your tax dollars are then used to buy back the research you paid for to begin with for often exorbitant fees from those publishers. 4) The creators of the intellectual property (research) are not financially compensated in any way. Nor are the reviewers who do the vast majority of work in "publishing" the articles.Seems a bit broken doesn't it? That is what Aaron Swartz was fighting. A system where YOU pay for something three times, and the creator gets no financial benefit.

(RICH C. LAWRENCE, KANSAS): I don't know whether Aaron Swartz simply predated the Open Access movement spearheaded by academic institutions, researchers, and government agencies, most notably the NIH, or inspired it (in toto or partially). But his desire to get publicly-funded information freely available to the public clearly was its precursor. That he faced years or decades in prison for acting on that seems inherently unjust. I remember hearing about his action at MIT and thinking, "Well, he broke the law and did wrong." With the common-sense logic of open access to research that taxpayers pay for, I've changed my thinking to, "He might've broken the law, but he didn't do wrong." That puts him into some awfully good company.
"sorely missed.
Thanks-Stay Metal, Stay Brutal-\m/

MANOWAR: Brand New WARRIORS OF THE WORLD 10TH ANNIVERSARY REMASTERED EDITION now available on iTunes and on Metal On Demand!

Northwestern, New York metal legends MANOWAR have announced the re-issue of "Warriors Of The World", 10th anniversary re-mastered edition now available on iTunes and on Metal On Demand!
MANOWAR unleashed "The Lord Of Steel" 10/19/2012 on MAGIC CIRCLE MUSIC.

FROM MANOWAR:


Brand New WARRIORS OF THE WORLD 10TH ANNIVERSARY REMASTERED EDITION now available on iTunes and on Metal On Demand!

The fully remastered 10th Anniversary Edition of Warriors Of The World, including an additional bonus track, is now available through iTunes in 111 territories around the globe, and for worldwide download in the official MANOWAR digital online store,www.metalondemand.com.
http://bit.ly/UUYwDW

The brand new edition of the best selling album includes a previously unreleased live version of House Of Death, recorded in Birmingham, England during the Battle Hymns 2011 tour, celebrating MANOWAR's triumphant return to the UK after 16 years of absence.

The physical CD of WARRIORS OF THE WORLD 10TH ANNIVERSARY REMASTERED EDITION will be released in the spring and will first be available during the upcoming leg 2 of The Lord Of Steel Tour in March.

Warriors Of The World, Unite!







Thanks-Stay Metal, Stay Brutal-\m/ -l-

ITP V.013 SOCIAL MEDIA: EFF FIGHTS COPYWRITE DMCA TAKEDOWN OF Jonathan McIntosh

Join EFF!
                                                                                                                                                                           

EFF, (ELECTRONIC FRONTIER FOUNDATION) is helping to fight bogus YOU TUBE copy write claims under FAIR USE (free speech) regarding re-mix artist Jonathan McIntosh  video, ("a commentary on representations of gender roles in popular media titled "Buffy vs Edward: Twilight Remixed) as an example of a trans formative noncommercial video work.

ITP V.013 EDITORS NOTE: R.I.P to  RSS, REDDIT, CREATIVE COMMONS and EFF co-founder and digital pioneer AARON SWARTZ.
FROM ABC NEWS.COM:
 http://abcnews.go.com/blogs/technology/2013/01/online-activist-aaron-swartz-26-found-dead/






FROM EFF.ORG:

Update: On January 10, YouTube informed Jonathan McIntosh that his video had been reinstated. The copyright "strike" appears to be removed from his account. YouTube did not wait for the DMCA's 10 to 14 day waiting period to expire, choosing to stand up for its user and putting a stake in this disappointing abuse of the takedown process.
For the past three months, video remix artist Jonathan McIntosh — a self-described "pop culture hacker" whose mashups have been viewed well over 6 million times — has been forced to take time out of making new works in order to address a much less exciting problem: bogus DMCA takedown notices. False accusations of infringement have taken one of his most widely cited videos off of YouTube, rendering it inaccessible through the most popular medium available. (An HTML5 popup version remains available on McIntosh's site).
This video no longer available due to a copyright claim from Lionsgate.
The video, a commentary on representations of gender roles in popular media titled "Buffy vs Edward: Twilight Remixed," has quite an impressive set of fair use credentials. For one thing, a whole host of major publications favorably reviewed the short film — ranging from the LA Times to the Boston Globe to Slateto Vanity Fair. It has racked up over 3 million views around the Web. But even more to the point, last summer McIntosh joined EFF toscreen his film at the 2012 DMCA exemption hearings as an example of a transformative noncommercial video work. His remix was mentioned by name in the official recommendations by the US Copyright Office as worthy of protection. 
There are many clear cases of fair use, but this one is about as unambiguous as they get.
That fact hasn't stopped Lionsgate Pictures (the studio with the rights to Twilight), through its enforcement agent MovieClips, from lobbing accusations of infringement and attempting to exploit his work. McIntosh has written up the whole episode on his blog, and it's well worth reading the whole thing. Here's the short version.

What a Broken Copyright System Looks Like

Last October, Lionsgate sent a message through YouTube's algorithmic content detection system — Content ID — that the video "matched third party content." It began running ads over his video, which automatically prohibited the clip from playing on iOS devices. McIntosh filed a dispute, but only the accuser reviews these claims, and Lionsgate chose to reject it. McIntosh then filed a formal appeal with the assistance of attorney Art Neill and New Media Rights, including a 1000-word fair use analysis of the film. A month later, his appeal was accepted and the video was reinstated.
The same day, though, Lionsgate issued a second claim, and once again McIntosh went through the dispute-rejection-appeal process. After another month of waiting, YouTube unceremoniously sent a notification that it had removed the video for infringement and had sent his account into a probationary mode.
It's now been three weeks. The video, which normally gets over 30,000 views a month, remains offline. As McIntosh puts it, "This is what a broken copyright enforcement system looks like."

That's an Awfully Nice Video. It'd Be a Shame if Something Happened to it...

Indeed, it's not news that the DMCA process is subject to abuse. And as McIntosh's case shows, the incentives provided by the law enable that abuse. One section of the DMCA, section 512(f), is supposed to discourage abuse by holding false accusers liable. But as examples like this one demonstrate, the threat of section 512(f) is not enough.
In fact, the senders of this notice were quite brazen about the shakedown operation they were executing. When McIntosh contacted the rightsholders, he got this message in response:
Had our requestes to monetize this video not been disputed, we would have placed an ad on the cotent [sic] and allowed it to remain online. Unfortunately after appeal, we are left with no other option than to remove the content.
No consideration of fair use, no conception that the remixer may be in the right. Simply: allow us to generate revenue off your video, or we will shut it down.

The Real Victim: Fair Use

Fair use is commonly called the safety valve of copyright law. In an era where the content industry pushes for ever more aggressive laws in the Congress and the courts, that safety valve is more important than ever. Lionsgate has shown how easy it is to abuse the DMCA takedown system and to misuse YouTube's Content ID system to undermine fair use. That works to the detriment of remix filmmakers and the public.
McIntosh and his lawyer have filed a counter-notice, and hopefully the video will be restored. Even so, Lionsgate was able to pull down the video for this long within the scope of the Content ID system, and the DMCA allows for at least 10-14 days of more censorship "free," during the counter-notice period.
Even more distressing is the thought of how many artists aren't able to navigate similar situations. For every example of a fair use activist like Jonathan McIntosh, there may be countless others who don't have the expertise or willingness to fight these battles.
EFF is working on fixing the DMCA.  Most prominently, in Lenz v. Universal EFF is asking federal court to protect the fair use and free speech rights of a mother who posted a short video of her toddler son dancing to a Prince song on YouTube.  Judge Fogel heard summary judgment in October, and we are awaiting a ruling on the interpretation of the DMCA and section 512(f).

Thanks-Stay Metal, Stay Brutal-\m/ -l- 

Friday, January 11, 2013

ANTHRAX: ANNOUNCES SHADOWS FALL GUITARIST JON DONAIS TO FILL IN ON UPCOMING TOUR DATES

New York City, New York thrash legends ANTHRAX have announced SHADOWS FALL guitarist JON DONAIS will be the temporary fill in axe slinger for departed ROB CAGGIANNO.
Also, ANTHRAX shall release an EP of covers entitled "Anthem" due to unleashed 3/8/2013 via

NUCLEAR BLAST RECORDS.


ANTHRAX: "ANTHEM" TRACKLISTING:
01. Anthem (RUSH cover)
02. Jailbreak (THIN LIZZY cover)
03. TNT (AC/DC cover)
04. Big Eyes (CHEAP TRICK cover)
05. Smokin' (BOSTON cover)
06. Keep On Runnin' (JOURNEY cover)





FROM ANTHRAX:
LOS ANGELES, CA - Grammy-nominated rockers Anthrax - Scott Ian, Charlie Benante, Frank Bello and Joey Belladonna - have announced that Shadows Fall guitarist Jon Donais will step in for the departing Rob Caggiano. Donais will temporarily fill in for Anthrax's upcoming tour dates in India, the series of Soundwave Festival shows in Australia, and the North American Metal Alliance Tour (dates below).


"Jon is a bro and he's also a total f**king ripper," said Scott Ian. "I've worked with him twice before on side projects and he tears it up. I'm excited to have him on my right burning up the stage with Anthrax. 13's gonna be a good year."

"I grew up on Anthrax, they're the thrash scene, they're one of The Big Four, I'd be crazy to not want to play with them," said Donais. "Initially, Rob called and told me he was leaving the band, and asked if I'd be interested in filling in. Then Scott called me and everything fell into place. Rob and I are using Skype to work on solos and other guitar parts, so he's being great. I also have to give special thanks to my band - Brian, Matt, Jason and Ed - who have been incredibly supportive and encouraged me to do this."

Dates for Anthrax's upcoming concerts with Jon Donais on guitar are as follows:

(India)
FEBRUARY
16 Fly Festival, Delhi (with Limp Bizkit, Mastodon)
17 Fly Festival, Bangalore (with Limp Bizkit, Mastodon)

(Australia - all dates with Metallica, Slayer, Linkin Park, more)
FEBRUARY
23 Soundwave Festival 2013, Brisbane
24 Soundwave Festival 2013, Sydney

MARCH
1 Soundwave Festival 2013, Melbourne
2 Soundwave Festival 2013, Adelaide
4 Soundwave Festival 2013, Perth

(Metal Alliance Tour/North America - all dates with with Exodus, High on Fire, Municipal Waste, Holy Grail)
MARCH
22 House of Blues, Anaheim, CA
23 House of Blues, Las Vegas, NV
24 Marquee, Tempe, AZ
25 House of Blues, San Diego, CA
27 House of Blues, Los Angeles, CA
28 Regency Ballroom, San Francisco, CA
29 Crystal Ballroom, Portland, OR
30 Commodore Ballroom, Vancouver, BC CANADA
31 Showbox SODO, Seattle, WA

APRIL
2 Summit Music Hall, Denver, CO
4 First Avenue, Minneapolis, MN
5 House of Blues, Chicago, IL
6 The Fillmore, Detroit, MI
7 Bogart's, Cincinnati, OH
9 House of Blues, Dallas, TX
10 House of Blues, Houston, TX
12 House of Blues, Orlando, FL
13 Tremont Music Hall, Charlotte, NC
14 Fillmore, Silver Spring, MD
16 House of Blues, Cleveland, OH
18 Theatre of Living Arts, Philadelphia, PA
20 Irving Plaza, New York, NY

For tour tickets visit: http://cncrt.ly/MetalAllianceTour


Thanks-Stay Metal, Stay Brutal-\m/ -l- 

ROTTING CHRIST: UNLEASH "In Yumen - Xibalba" LYRIC VIDEO

Greek extreme metal warriors ROTTING CHRIST have unleashed a lyric video for the track "In Yumen - Xibalba". The track is from ROTTING CHRIST's anticipated new release "Kata Ton Daimona Eaytoy" ("Do what thou Will"), due to be unleashed 3/1 and 5th/2013 via SEASON OF MIST. 

FROM ROTTING CHRIST: 

Rotting Christ have unveiled a lyric video for "In Yumen / Xibalba".

Watch it now!

'ΚΑΤΑ ΤΟΝ ΔΑΙΜΟΝΑ ΕΑΥΤΟΥ' ('Do What Thou Wilt') will be available as a CD, double gate-fold Lp, and a limited edition Digibox including a pendant in a velvet bag, a flag, and a Digipak CD with the bonus track “Welcome to Hel”.

Pre-order 'ΚΑΤΑ ΤΟΝ ΔΑΙΜΟΝΑ ΕΑΥΤΟΥ' at http://e-shop.season-of-mist.com/en/bands/rotting-christ/1725





ROTTING CHRIST: ""Kata Ton Daimona Eaytoy" TRACKLISTING: 
01. In Yumen - Xibalba
02. P'unchaw Kachun - Tuta Kachun
03. Grandis Spiritus Diavolos
04. Kataton Demona Eaftou
05. Cine Iubeste Si Lasa
06. Iwa Woodoo
07. Gilgames
08. Rusalka
09. Ahura Mazda Anra Mainiuu
10. 666



VIDEO BELOW: ROTTING CHRIST (COURTESY OF SEASON OF MIST):  "In Yumen - Xibalba"




Thanks-Stay Metal, Stay Brutal-\m/ -l-

STONER HANDS OF DOOM 2013 11/?/2013, RICHMOND, VIRGINIA, VENUE TBA CONFIRM: IT's NOT NIGHT IT's SPACE

Promoters for the 2013 edition of STONER HANDS OF DOOM, set to take place NOVEMBER (?) 2013, Richmond, Virginia have confirmed LO PAN, CLAM FIGHT, WIZZARD EYE, BEELZEFUZZ, IT'S NOT NIGHT: IT's SPACE and many more stoner/sludge and doom acts. 


FROM STONER HANDS OF DOOM 2013 PROMOTERS: 
Stoner Hands of Doom is one of the premier annual gatherings for underground heavy/stoner/doom music in North America. SHoD has been held annually since 1999 in various small venues throughout the USA. Many acts are unsigned/unreleased and many travel thousands of miles to gather in the name of rock. The concept was dreamed up by promoters Rob and Cheryl Levey, who have planned, booked and organized it since its inception. Under their guidance, the festival affectionately known as SHoD has grown over ten years from a one-day event to a weekend-long gathering, featuring over three dozen bands. 
Again I am blown away by everyone's support suggestions and so fourth here is the next most updated lineup 

 we have added

Order of the Owl

Lo Pan
Freedom Hawk
Clam Fight
Insano Vision
Faces of Bayon
Destroyer of Light
Its not night its Space
VRSA

New update we have added
Gozu
Weed is Weed
Compel
Oberon
Iron Front
 
Admiral Browning
Beelzefuzz
Fire Faithful
Pike Possum
Wizard Eye
Backwoods Payback
Demonaut
Stone Magnum
Wasted Theory
Planetoid
Dead Weight
Second Grave




FROM IT'S NOT NIGHT IT's SPACE:
We are very pleased to announce that we are now officialy part of the lineup for this years Stoner Hands of DOOM fetsival, to be held in Richmond VA this November. Psyched!
Thanks-Stay Metal, Stay Brutal-\m/ -l- 

ITP V.013 UPDATE: COMPUTER PROBLEMS FIXED

ITP V.013 UPDATE: As I stated earlier today, I forgot the password to windows and was locked out of my own 'puter. ITP is back into WINDOWS and back on line at home as the COMPUTER issue was fixed thanks to a feature in WINDOWS: HOME EDITION 7, a VIRTUAL KEYBOARD,(smart phones have it) and after a couple of tries, and being able to visualize what I'm typing, I remembered my windows password. Somewhere between feeling sick, lack of sleep, or/and exhaustion, my memory fails, specifically before I've eaten something with hypoglycemia as I'm hoping for a quieter environment, specifically at night.  
Thanks for all friends and family whom tried to help.
I've noticed this feature for the visually and hearing impaired, (or for those of us whom need new 'puter keyboards as the letters are worn off my keyboard) during the last few years putzing around on my 'puter. A friend of mine whom is legally blind has his friends read him his e-mail, as I recommended that 'puter feature to him, as it reads out texts and assorted gadgets ect. However, that friend of mine does NOT have the same version of WINDOWS I have, I will help him find that feature on his 'puter.
Anyway, if all goes well, I'm going to REST and ITP REVIEWS will be resurrected SATURDAY and SUNDAY so sit tight.




ITP V.013 REVIEW SCHEDULE:



1/12/2013:  ITP V013 REVIEW: MY DYING BRIDE: A MAP OF ALL OUR FAILURES

1/13/2013: ITP V.013 REVIEW: BEHEXEN: NIGHTSIDE EMANATIONS



ITP V.013 MYGOOGLETWITSPACE:

JOIN ITP V.013 ON TWITTER: 
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ADD ITP V.013 ON GOOGLE + (NOW TAKING ADDS as ITP V.012 WILL BE SHARING POSTS):
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ITP V.013 will be added to MORE BLOG SYNDICATES soon. 

Anyone on GOOGLE +, the wave of the future, I call it goo goo, hit me up for an add under ITP V.013:
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ITP V.013 will be added to MORE BLOG SYNDICATES soon.


INDIVIDUAL THOUGHT PATTERNS V.013 - Google+


Thanks-Stay Metal, Stay Brutal-\m/ -l-